
Statement lighting
Oversize chandeliers, pendants and light fittings in blown glass, with hidden integrated LEDs.
I design chandeliers, tables and furniture in art glass with the master glassmakers of Murano. Every piece starts as a drawing, goes through the furnace and ends up installed.

I work with partner furnaces in Murano, free from the limits of industrial production: shape, colour, finish and light are tuned to each space, for private homes, hotels, yachts and retail.

Oversize chandeliers, pendants and light fittings in blown glass, with hidden integrated LEDs.

Dining tables, consoles, billiard tables and accessories on load-bearing blown-glass legs, with marble or metal bases.

Murrine wall cladding, decorative panels and furniture components for yacht interiors.

Centuries-old techniques, used to build structural and luminous elements.
In the Lucciola and Eclissi tables the LEDs are hidden inside the blown-glass legs: the structure itself becomes the lamp.
The same idea applies to bespoke chandeliers, light columns and backlit walls.


A selection from the catalogue: dining tables, luxury tables, play tables and accessories. Every model can be customised in size, colour and materials.

Blown-glass dining table on a marble base, inspired by Murano stemmed goblets.

Black Marquina marble top on clear glass legs with integrated LEDs.

Blown-glass legs with battery-powered LED lighting, for candlelit evenings.

Four to eight legs blown without a mould, silk-white ribs and gold leaf.
The full catalogue (48 models) is available as a PDF on request. Write to me. →

Giovanni Marani, architect
I was born in Padua to a Venetian mother and a Veronese father. I graduated in Architecture from Iuav University of Venice, with study periods at Purdue University (USA) and Delft (Netherlands). I have worked with the great Murano master glassmakers since 1989.
Alongside glass design I run an architecture practice in Padua: design, planning applications and technical expert work for private clients, professionals and the courts.
Pieces are made in limited runs by masters such as Silvano Signoretto, whose work is shown from the Peggy Guggenheim Collection in Venice to the Vatican Museums.
My essay (in Italian) on how artificial intelligence is changing design practice: what changes for those who draw, what remains irreplaceable, and how to use these tools every day in the studio.

Work shown at fairs and events in Milan, New York, San Francisco, London, Barcelona, Verona and Padua.
Tell me about the space, approximate dimensions and timing. I reply within two working days.